so i found an adorable paint brand
handmade and all
but, two things
one, i already ordered the paint
two, you don't seem to be able to pick like one thing of paint
and also the format is a little problematical
i did not enjoy the small pan format when i got that kit before
when i was younger i used tubes
and i need a lot of room for mixing
because i mix everything
that's part of the funfor me
so
i ordered three from daniel smith
quinacridone gold
quinacridone fushsia
sodalite genuine (which i got instead of the payne gray blue that i was originally going to get because it was prettier and has the whole granulation thing going for it + it mixes pretty with other colors)
and three from m. graham
azo yellow (did not specify nickel)
pyrrol red
anthroquinone blue (i have a tendency to get indigo or prussian blue because i think of those as my colors, but they aren't very good inwatercolor)
in fact prussian blue, indian red, and naples yellow were practically my triumverate in oil painting, but the texture of the paint doesn't work well-- very heavy pigment, takes over everything
but
i had some sort of flashback
to the days of painting past (like the seventies)
and, although i thought i could get by with six paints
i wanted holbein umber and holbein manganese blue
i was like what blue did you used to paint with
because i decided i should probably split the primary for it too
i don't really like ultramarine blue (maybe it's just the ones i've had) it never works right
i don't like cobalt or cerulean either
and thalo (which maybe i like a little better) has the same take over problem
they don't make real manganese blue any more
the process is apparently toxic
the manganese "blue nova" from holbein is apparently made with thalo blue
but whatever, it looks right, and i'm okay with it not granulating
i don't remember the granulation stuff anyway
i probably was using acrylic
it's not completely transparent-- which i didn't notice when i ordered it
but whatever
also i never knew holbein was from japan-- guess i never read the label
umber by holbein is a transparent raw umber-- neutral brown
not to say that all raw umbers are neutral browns
they are all over the map
but it's a soft, lightly pigmented brown that blends really well
i kinda want daniel smith's transparent red oxide
which i can make a case for
and
i kinda want schmincke vermillion red light
which i can make less of a case for
and
several things that are just super pretty and i'm used to having them
like i usually have a mars violet
and i usually have a rose madder
mars violet is another one of those heavy earth pigments
that don't play well with the whole transparency thing
and rose madder is probably close to quinacridone fushsia
anyway
eight colors is more than enough, probably
it's coming from three different places
the daniel smith is scheduled to be here saturday
but the other places are saying like two weeks
so the paints i will have starting this weekend
they don't really make a primary set
the quinacridone gold and fushsia blend out to make a sort of flesh tone
so they are closer to opposites than a triad
and the blue is near black
so i'm not sure how easy it will be to blend them
but
whatever the other paints probably won't take that long